
O Mato, 2023.
Collection of fotos taken for the project "A Method for Cannibalist Architecture".
Ubatuba, Brasil, 2023
I understand nature to be the most primitive and pure concept of our perception towards scale. Our correlation with all that is natural has been always of great admiration, respect and fear. It is where we find beauty, shelter, contrast, coexistence. It is also where we find the unknown, the unpredictable. Yet it has always been a role model for balance.
A chain that goes around, a cycle repeating itself. A wholeness.
This study through images began with the intention of finding light, shade, shape and character within nature, which could influence the “how” to approach the ruins in my master thesis. Reaching out to the “Cannibalist Manifesto” by Oswald de Andrade, which set off the Arts Modernistic Movement in Brazil in the 1920s, I wanted to find influence in nature, my home country nature, which would “devour” the old relics, ruins.
These fotos are a selection, not because they are the prettiest nor they are well placed together, bur merely because I believe they all tell some sort of story, bringing the (European) viewer into an unknown place.





Selected Work
Projects
Photography
Compilations (coming soon)
007 Models
008 Collages
009 Graphic
A Method for Cannibalist Architecture, 2024
Malmö's Assembly, 2023
HUSK, 2022
Pedro Suzan Moi
Architect graduate from Lund Tekniska Högskolan (M.Sc.) and Karlsruhe Institut für Technologie (B.Sc.).
Interested in exploring new ways of comprehending the existing and the built world. Working with photography and models, I believe that visual communication plays a vital role in our field.
Born in Brazil, moved during my teens to Germany, I have been always exposed to cultural friction. Often seeking inspiration within customs and difference between cultures, I am constantly pursuing external influences for my work.
Currently based in Stockholm.
pedrosmoi94@gmail.com
CV